Transamerica
(2005)
Felicity Huffman plays Bree, a pre-op transsexual
who receives some shocking news a week before his ... er .. her
surgery: he fathered a son nearly two decades earlier. The son is in
a New York jail for male hustling, and his mother is dead. Something
about the situation brings out the parental instincts in Bree. She
bails the boy out of jail and takes him on a road trip across
America, originally because he/she was going to rescue the boy from
hustling by returning the lad to his step-father. That turned out to
be a bad decision. The trip eventually leads them to the boy's
grandparents. The major comic complication is that Bree doesn't
tell her son that she is a biological man, or that they are related.
The gender secret gets betrayed by the presence of a penis, but the
father/son secret
goes on for the first 2/3 of the film or more, and it actually seems
to be working fairly
well, The two are bonding. Unfortunately, they bond so effectively
that the boy falls in love, and makes a pass at him/her.
Talk about a dysfunctional family!
You think the kid was fucked up before? Hell,
those were the good times when he only had to deal with being a
junkie and a male prostitute. Think of what he's going through his
mind now. How'd you like to make a serious pass at a hot
chick and find out it's your dad?
Transamerica is a real oddball of a movie. The
plot description makes the film sound like a jaded black comedy, but
it's really not like that at all. It's
essentially a warm-hearted sitcom at its core, except that the
sitcom family's usual spate of wacky problems are all XXX rated in
this case. The nature of the issues notwithstanding, the film tackles its problems with wide-eyed
earnestness, and has a genuine
Midwestern Christian sweetness to it. Instead of holding itself
aloof from the odd characters, as Alexander Payne might do in his films,
it views them all with compassion, the way you would view them if they were your
own children.
And you know what? The whole thing works pretty well. It pulls in
a few laughs without forcing too much, and it generates a few
tender moments along the way. It succeeds because it doesn't violate
its own premise. Although the set-up is quite wild, as I described
above, the execution sticks to a reasonable portrayal of how real
people would deal with the situation. And they are
not only real people, but decent human beings. The boy may be a male
hustler who has a screwed-up life, but that doesn't keep him from
having the same feelings that you or I would have had at his age,
given the situations
he has to face. His dad may actually be a woman waiting for the
right body, but you'll forget about that after a couple of minutes
and just get involved in his/her situation. For that involvement, you may credit
the script which defines Bree not as a transsexual first, but as a
person whose genitals are only a portion of her struggle for self-definition. You may also credit
the actress Felicity Huffman for bringing dignity, realism,
and subtlety to the role of Stanley/Bree.
Don't be misled by what I have said. The tone of
the film is compassionate and matter-of-fact, but I don't recommend
taking grandma or going with your daughter. Transamerica is rated R, but I
don't know how it pulled that off. It's NC-17 at heart: full
frontal nudity from two males and a female, plus a clear shot of
Felicity Huffman pissing with her prosthetic penis. Is Felicity the
first person to do full frontal female and male nudity in the same
film? In addition to the nudity, there is a constant stream of
discussion about drugs, male hustling and gay porno (with the actual acts performed off camera.)
I don't suppose it will ever find much of an
audience, but it isn't a bad watch at all, and since it was made for
a modest one million dollars, it may even turn a profit.
|